Over the crunch of dry grass underfoot there is a distant, creepy moan.
Like Keith Richards dropping in over Ronnie Wood’s steady strum, the cry floats above the sound of the wind rolling through the gentle folds of CRP.
My mind races through the possibilities…a lost moose calf down in one of the dense cover drainages? Mating cats? The ghost of a jilted lover, screaming from the tumbledown remnants of the farmhouse over the rise? I try to keep track of the dog as he works the currents, and for a while the distraction abates.
There can be an expansive, desolate melancholy to big empty places like this, so different than the claustrophobic disquiet of being alone in thick, dark woods, though it can be none the less unsettling. The dog and I continue to work the field, but something still feels odd. And then the caterwauling returns, so far-flung and ethereal, carried on sporadic wisps of gust, that I’m second-guessing whether I’m imagining it.
The rusty windmill in the distance continues to slowly spin, keening out its unearthly wail. The dog goes on point, but there is nothing there.